Naomi Watts Funny Games Interview
FUNNY GAMES NO LAUGHING MATTER FOR NAOMI WATTS
EXCLUSIVE Interview by Paul Fischer
Naomi Watts sounded tired when we spoke at a Beverly Hills hotel room,
and for good reason. "I'm suffering from major jetlag having just
arrived from Australia", Watts, says apologetically. The actress had
spent six weeks with her son and partner, actor Liev Schreiber, who is
shooting Wolverine. "I came to LA just to do press for [Funny Games]
and then I head back." Watts has appeared in many tough, risk-taking
films but nothing quite compares to what she goes through with Funny
Games. A remake of a 1997 German thriller, Naomi Watts stars as a wife and mother whose family lakeside vacation comes to an end when the family is brutally terrorized by two young men who take the family hostage, physically and emotionally brutalizing them in the process.
Naomi Watts admits
that when offered the film, "this was not an easy decision to make. I
wrestled with the idea because it is such a difficult, disturbing,
piece and very controversial. Of course I wondered how it would land
with American audiences, so although it wasn't an easy quick decision
ultimately I felt it was worthwhile because it engages you, albeit
sometimes with very negative feelings, I do feel like it happens with
an incredible, visceral feeling and to me that's always a success,"
Naomi Watts explains, further adding that director Michael Haneke, was the
ultimate draw-card. "He is a fabulous film maker and I had seen three
of his films, so I was a familiar with Michael's work, and blown away
by all of his films. You probably know from seeing quite a few of my
films now, that a lot of them have great directors. I always feel that
if you're working with a great director you're in safer hands."

In delving into the role of a woman who succumbs to torture and
cruelty, the actress, Naomi Watts says, "it's a perfect film to play out what-if?
It's the kind of situation that could take place almost anywhere, to
anyone. In fact I know two people who have had situations where they've
been held hostages at their homes. It didn't play out quite as badly
but it could have gone badly, so your imagination can take you there
because it does feel like a truthful thing." The actress admits that it
was harder than usual leaving this character behind at the end of the
day. "With a lot of thrillers that I've done, when people ask me that
question, I can usually leave it behind, because most of the time all
of those horrific moments that play out on the screen are so fragmented
during the film process that you're not in a place of fear. But in this
case, Michael did it in a totally different way, in that there are no
cinema tricks, no breaking of the momentum, his shots go on forever,
it's so drawn out and the coverage is very simplistic. And because it
takes place in one set pretty much, we were able to shoot in
chronological order."
Naomi Watts whose son is now seven months, pauses reflectively when
asked if she would have been less likely to take something like Funny
Games on had her son been born at the time. "It's a very hypothetical
question and something that already took such a lot of deliberation. I
grappled with it a lot and ultimately having bounced it off people I
admire and respect so much, and they all said you've got to do it, as
scary as it was. In terms of now, I'd spend more time thinking about
it, but I can't answer the question in a word, yes or a no. But I would
think when my son is an adult, he chooses it, and makes his own
decisions, then, hopefully he'll understand my reasoning behind it."
Naomi Watts says that motherhood has changed the way she perceives her career
at this point. "Certainly there will be a lot more negotiating, from a
practical point of view, the where and the when and the how long, whose
turn it is to work and all that stuff. In terms of the content, I think
it will continue to be my taste. Maybe I'll do a film here and there to
impress him, but it's not like suddenly my taste will change and I'll
end up doing movies about small animals in the forest," Watts says
laughingly.
Naomi Watts is enjoying being mother in her native Sydney, despite the
local media initially being intrusive. "Whenever I get back into town,
they hound you for the first five days. I don't know if then they
think, OK, let's let her enjoy her home and her family now, or if they
just get to a point where the pictures are worthless because they've
already been printed in each magazine. It always seems to die down
after a few days." Naomi Watts says she is trying to take a break and
play mother. "My son is seven months old. I worked five weeks on a film
called The International, and that was definitely tough, because it was
a struggle and a big process." And Naomi Watts confirms she is still
attached to star in a remake of Hitchcock's The Birds, based on the
classic Daphne DuMaurier novel. "It's definitely a strong possibility.
The script is with a new writer, and there's a director attached, so
nothing will happen this year."

Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet, Devon Gearhart
Director: Michael Haneke
Rated: R
Genre: Horror
Synopsis:
In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced by producer Chris Coen to bring the story to America, filming a nearly word-for-word, shot-for-shot English-language version, even re-creating the locations and sets as obsessively as possible. Shortly after Ann (Naomi Watts), George (Tim Roth), and Georgie (Devon Gearhart) arrive in their country home, Peter (Brady Corbet), an eerily polite young man dressed all in white, including odd white gloves, appears on the doorstep, asking Ann if he can borrow some eggs for their neighbor. Peter is joined by Paul (Michael Pitt), and the Leopold-and-Loeb-like duo are soon doing horrible things to Ann, George, and Georgie, torturing them both physically and psychologically (nearly all the violence occurs off-screen), for no apparent reason other than they can, referring to the whole thing as a game. And the biggest game of all is whether the family will be alive at the end.